Megan Burns Basic Programming
Megan Burns has an uncanny ability to adapt language, concretely, into a correspondent of the broken world it attempts to traverse. In her writing grammar itself becomes the “objective correlative” Eliot imagined as an abstract image corresponding to an emotional state, each trace and fissure in the language mapping a lesion in the individual and social psyche. To “program” is to incant a set of instructions to an automaton, which is then left with no choice but to enact them, unless somewhere in the process something is broken, a gate left closed, or some tiny misprision in the now antique etymologies of Basic set it off on an errant path.
Megan is no stranger to Lavender Ink. This will be her fourth book so far, and she serves, as well, as our co-conspirator at the New Orleans Poetry Festival, where Basic Programming will release this April, with the launch party Thursday, April 20, at Dogfish. You can preorder your copy, today only, for half off even the low preorder price.
Today we are featuring one poem from the book, along with Megan’s reading of it.
110 < >
what I do/ bemoan loss/ my betrayal/ what’s good/ never
traveled a land of dead to get me/ would you/ never waded my city
to pull photos from floodwater stained walls/ would you/ never tried
to pull my spine, notch vertebrae notch through back where I’m split/ spit on me/ would you/ never lowered yourself into mud spewing vomit, your lies that bile thick hanging from your chin/ or clawed your eyes out to not see pain you cause me/would you/ never put muzzle back of my head/ but you did/ never pulled trigger sending metal biting through wishes, dreams, nightmares / never put your mouth on mine & sucked out my breath or put it back in/wouldyou/wouldyou/wouldyou/ never swallowed fistfuls of pages I wrote all you choking down till your rib cage burst filled articles of contrition/ my fucking nouns/ my fucking verbs slurped/ boat me. lover, boat me shore to shore cement blocked/ love me way down to rocky flats of our muddy river where I swirl/ twirl sounds loud bubbling break surface/ my face eaten by shame/ some living/ would you/ never cut me to pieces spread far/ over bridge, down by rocks/ into basin/ interstated/ beach full of fingers & toes/ would you/ would you lick off my fingerprints/ would you/ would you lick off my fingerprints/ would you pull my tongue out to poke that wormy root/ feel it, tip of your tongue/ suckle my eyelids off/ put your fist inside/ me put both fists inside me/ applaud would you would you what’s good/ love me like you mean it/ don’t mean it & leave me here clothed/ meaning it/ leaving me able to walk away/ meaning it/ & I have my wits about me/ I’m still moving/ I’m still sounds & voice & terror/& you mean it/ I mean to be obliterated & you give me love/ love/ what’s good?