Lavender Ink / Diálogos

The live (well, Zoom) event at the New Orleans Poetry Festival was Sunday, April 25, 2 PM CDT, when Diálogos Presented Readings from Recent Translations and Roundtable on Translating Experimental Works.  This reading/roundtable featured poets and their translators, with bilingual readings and discussions of the works and the translation process. On hand:

• • Giancarlo Huapaya and Ilana Dann Luna, author and translator of Sub Verse Workshop
  • Antonio Ángel Agudelo and Claudia Routon, author and translator of Sky Chess
  • G. J. Racz, translator of the late Eduardo Chirinos’ A Brief History of Music & Fourteen Forms of Melancholy
  • Olivier Cadiot, Anna Fitzgerald, and Cole Swenson, author, translator and introduction author of A Mage in Summer 

See the archive recording of the event here:

Lavender Ink / Diálogos is proud to be one of the founding organizers of The New Orleans Poetry Festival. The fest returns after a one-year Covid hiatus with a full month of online programming this April. The opening event features a hybrid performance of readings from the new anthology I Am New Orleans, and programming continues with readings, workshops and roundtables every day for the entire month. Everything is free and open to all to Zoom in. See the complete calendar and access events at nolapoetry.com.

Steve Croft has posted an engaging and thorough review of Rosemary Daniell‘s The Murderous Sky at Like the Dew. Croft writes:

Throughout these poems that move from the idyllic-seeming promise of childhood to the speaker’s children’s too often harrowing experiences of adulthood, it becomes quickly clear that we are in a realm of literature approached only in its highest and most serious forms, that is, the realm of tragedy.

This book will resonate to many of us with its treatment of very contemporary issues in the South and beyond, which is no doubt why it won the William Faulkner-William Wisdom Poetry Award.

“Huapaya’s poetry overwhelms; the words and images build against each other until they create the walls of their own world,” says Katherine M. Hedeen of Giancarlo Huapaya‘s Sub Verse Workshop. Hedeen reviews SVW and other works of interest in the March 2021 edition of Kenyon Review‘s Micro Reviews. 

Check out this reading with Rodger Kamenetz, as well as Kit Robinson and Rodrigo Toscano. March 24, 7 PM CDT.

REGISTER NOW FOR THE ZOOM

“Pure incomprehensible jibberish” is how a Goodreads reviewer classified Nabile Farès’ Exile and Helplessness, one of the three novels collected in the trilogy just released by Diálogos, Discovery of the New World. Despite this chilly reception on Goodreads, we consider the release of this  work—for the first time in English, and for the first time under one cover—to be one of our crowning achievements. Master translator and expert in North African letters Peter Thompson labored more than a decade with the translation of this often challenging text, including multiple meetings and consultations with Farès himself, prior to his death in 2016. Though it may not be a smash hit on Goodreads, Discovery of the New World should rank as a discovery of the first order for anglophone students of postcolonial literature.

Pierre Joris says in the preface to the book: 

The first thing that hits me every time I open or reopen one of Nabile Farès’ books is the immediacy of the intense struggle — simultaneously, the glorious success — of a text that stays at white heat by bending/bedding itself between what some would call the “genres” of poetry & prose.

Farès work is not so much incomprehensible as it is uncategorizable, which some of us see as an accomplishment rather than a failure.

Our North African collection was further enhanced, recently, by the release of the equally uncategorizable Agadir, by Mohammed Khaïr-Eddine, translated by Pierre Joris and Jake Syersak. A recent review in Banipal said:

ln Agadir, Khaïr-Eddine has created “a dynamic, original, a revolutionary conception of writing” in which “literature is a beautiful weapon”. lt is at once a novella, a poem, a play, an extraordinary manifesto and, as he once called it, a “political essay”, in which a myriad of voices, including that of a narrator, speak out.

For a limited time, buy both these titles, either in paperback or ebook, and use coupon code “northafrica” to receive a 25% cart discount on checkout.

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An interview with Michael Clayton and review of Dead Roosters and Other Stories is up at Trueself. An excerpt:

Dead Roosters and Other Stories – recently published by Lavender Ink – is a striking collection of hardscrabble lives and dreams deferred. When I read Michael Clayton’s debut collection Larry Brown came to mind. In fact, bestselling author Amanda Boyden … compares him to Flannery O’Connor and Breece D’J Pancake.

Read the entire interview here.

Two extensive and informative interviews have recently been published with Lavender Ink / Diálogos author/translators. 

First, Leslie Tate begins an interview with Mark Statman on the topics of Exile Home, fatherhood, translation, Mark’s move into happy exile from Brooklyn to Oaxaca, and most everything else. Part 1 of a long interview.

Next, please check out this tandem interview with A Novel of London translator Will Firth and 2020 European Union Prize for Literature winner, Stefan Bošković at Asymptote, in which Jovanka Kalaba questions each about literature, politics, language, and the current state of Balkan letters.

Amanda Boyden’s memoir, I Got the Dog: A Memoir of Rising is the topic of a front page article—an interview by Laurie Gough—in Canada’s National Post this morning. 

Read the article in the National Post: “Rape, infidelity and the detonation of a marriage: Novelist Amanda Boyden’s tumultuous life has led to new memoir”

Ian Brinton reviews Hank Lazers COVID19SUTRAS at Tears in the Fence.

What was immediately recognised by Rae Armantrout when commenting on the importance of this collection of poems was that it ‘brings us the news in the way that 18th century ballad broadsides did to Londoners’:

‘Quatrain by quatrain, Lazer sings the present world, its viruses (covid and structural racism), and its beauties (animals, friendship, the shape of a sentence).’

Just as Hank Lazer’s earlier collection had presented the reader with the poem radiating outward this new collection offers us a world in which

‘each day is
rich
in its
specifics’

The Modern Novel site continues its focus on Diálogos books, this time with some long overdue attention to Ruxandra Cesereanu‘s Angelus. Like many of our authors, Cesereanu is little known in the US but well-known in her own country, Romania. Angelus is a thoughtful parable, complex and multi-faceted. Marius Conkan writes:

…Angelus raises a series of questions regarding the society in which we live, offering, at the same time, possible solutions to (or at least, hypotheses on) the revitalisation of the sacred and the resurrection of symbolic depth for a (post)humanity characterised by the atrophy of imagination and the hypertrophy of pragmatic reason.…Ruxandra Cesereanu, in her parable-like novel, begins with the following question: what would happen if angels were to descend upon a Metropolis one day?

John Alvey at The Modern Novel sums it up this way:

I have mentioned on various occasions that I generally do not enjoy the navel-gazing novels that seem to be particularly in vogue at this time but much prefer a novel that has a thoroughly original and, preferable, complex story, that is totally unpredictable, that discusses a realm of interesting ideas, that delves into the dark recesses of the human (and, at times, extra-human) mind and raises as many questions as it answers. If you share my view, you will thoroughly enjoy this novel. You will get lost. You will wonder what is going on but you will also smile, you will be surprised, you will have much food for thought and, above all, you will have a first-class read.

“Blue Note is a novel short in length but enormous in its depth…” says Benedicto Víquez Guzmán, and Diálogos is happy to announce the release of the English translation by Elaine S. Brooks this month. Fernando Contreras Castro continues his humane approach to the novel, this time with the story of a jazz group, told through the eyes of a precocious feline. “During the first instances of emancipation,” writes the author, “the slaves appropriated the language of those in power and their instruments. Through language they entered the culture of the oppressor, but they never renounced their music, that shined through by way of the remembered blue note.…”