{"id":1325,"date":"2018-01-21T01:00:29","date_gmt":"2018-01-21T07:00:29","guid":{"rendered":"https:\/\/www.lavenderink.org\/site\/?p=1325"},"modified":"2018-01-13T17:30:44","modified_gmt":"2018-01-13T23:30:44","slug":"hedeen-nunez-in-kenyon-review","status":"publish","type":"post","link":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/","title":{"rendered":"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen"},"content":{"rendered":"

\"\"<\/p>\n

The current\u00a0Kenyon Review<\/em> (JAN\/FEB 2018, Volume XL Number 1)<\/a> features a special section,\u00a0Generation Zero: New Cuban Poetry, edited by Katherine M. Hedeen<\/a> and V\u00edctor Rodr\u00edguez N\u00fa\u00f1ez,<\/a>\u00a0translator and author of With a Strange Scent of World<\/em><\/a>, herein.<\/p>\n

In the introduction (available online<\/a>), they write:<\/p>\n

\n

It\u2019s not a clich\u00e9 by any means to declare that few times in its history has Cuban poetry been more varied, innovative, critical, and attractive than it is right now. And an undeniable part of it is the verse written by what has been called Generation Zero (Generaci\u00f3n Cero), poets born after 1970 and who began publishing after 2000.<\/p>\n<\/blockquote>\n

And:<\/p>\n

\n

The work by these young poets reaffirms Cuba\u2019s long, rich tradition of dialogic poetry, which finds its identity through the identification with the other, and is marked by tensions between commitment and autonomy, dialogue and creativity, continuity and rupture.<\/p>\n<\/blockquote>\n

This introductory essay is a succinct analysis of the situation of contemporary Cuban poetry, and indeed poetry in the Spanish-speaking world in the present ideological environment. They note, for example, that not a single Cuban poet was included in the recently released\u00a0anthology El canon abierto: \u00daltima poes\u00eda en espa\u00f1ol<\/em> [The Open Canon: New Poetry in Spanish<\/em>] published by Visor, the most respected poetry press in Spain, in 2015, and add:<\/p>\n

\n

Cuban poetry has had to confront, above all in the seventies, neo-Stalinist aesthetic standards, which demanded, among other things, \u201creaching the people,\u201d being clear and direct. This is precisely one of the paradigms of the so-called \u201cpoetry of experience,\u201d which prevails in Spain today, with offshoots in Latin America, especially among the contemporaries of Generation Zero, the self-designated \u201cpoets of uncertainty.\u201d\u00a0By contrast, the young poets selected are very well aware, from historical experience, of the danger of making aesthetic concessions in the name of coherence and transparency, and, as such, they defend poetry\u2019s integrity.<\/p>\n<\/blockquote>\n

Which makes us wonder if we in the English-speaking world, where “coherence and transparency” continue to be\u00a0the ideological vogue, might have something to learn from this collection.<\/p>\n

\n

\"\"And here’s a poem to read and listen to from With a Strange Scent of World, <\/em>by V\u00edctor Rodr\u00edguez N\u00fa\u00f1ez<\/a>\u00a0and translated by\u00a0Katherine M. Hedeen<\/a>, The sound files features Victor reading the poem in the original Spanish and \u00a0Kate reading the translation.
\n Kate and Victor both teach at Kenyon, where Kate also serves as Translation Editor for Kenyon Review<\/em>.\u00a0
\n Pick up a copy of With a Strange Scent of World<\/em> for half price<\/a>, today only.<\/p>\n

\n

Praise for the Neutrino<\/strong><\/p>\nhttps:\/\/www.lavenderink.org\/sound\/kate.mp3<\/a><\/audio>\n

For Jes\u00fas Selp\u00faveda<\/em><\/p>\n

I celebrate you<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 because no one in the world\u00a0<\/p>\n

is smaller<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 and still\u00a0<\/p>\n

you cross galaxies nebulas stars<\/p>\n

not reacting\u00a0<\/p>\n

Because even as light<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 you move<\/p>\n

much slower than light<\/p>\n

or rest motionless<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 correcting<\/p>\n

the theory of a warming universe<\/p>\n

Because thanks to you<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 the past was only<\/p>\n

reheated plasma and not ashes<\/p>\n

Plasma\u2019s density reached\u00a0<\/p>\n

billions of tons<\/p>\n

by cubic centimeter<\/p>\n

Because no one knew<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 until now<\/p>\n

you were ninety-seven percent<\/p>\n

of everything<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 leaving only three to be divided up<\/p>\n

among sons of bitches and the rest<\/p>\n

Because thanks to you<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 no one\u2019s far\u00a0<\/p>\n

from anyone now and everything tends to join<\/p>\n

And it doesn\u2019t matter if<\/p>\n

in a solid flame<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 at a radiant point<\/p>\n

I celebrate you<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 because you are<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 essence of spasm<\/p>\n

matter of tenderness<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 or that tiny bit of nothing<\/p>\n

my aunt uses to brown her custards<\/p>\n

Thank god<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 the world isn\u2019t infinite<\/p>\n

Like a verse<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 it\u2019s made up of syllables\u00a0<\/p>\n

that can be counted<\/p>\n

The world fits in an alexandrine<\/p>\n

\n

Elogio del neutrino<\/strong><\/p>\nhttps:\/\/www.lavenderink.org\/sound\/victor.mp3<\/a><\/audio>\n

Para Jes\u00fas Sep\u00falveda<\/em><\/p>\n

Te celebro<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 porque en el mundo nadie\u00a0<\/p>\n

es m\u00e1s peque\u00f1o que t\u00fa\u00a0<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 y sin embargo\u00a0<\/p>\n

atraviesas galaxias nebulosas estrellas\u00a0<\/p>\n

sin reaccionar con nadie<\/p>\n

Porque a\u00fan siendo luz<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 puedes moverte\u00a0<\/p>\n

much\u00edsimo m\u00e1s lento que la luz\u00a0<\/p>\n

o descansar inm\u00f3vil\u00a0<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 corrigiendo\u00a0<\/p>\n

la teor\u00eda de un universo caliente<\/p>\n

Porque gracias a ti\u00a0<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 el pasado fue solo\u00a0<\/p>\n

plasma recalentado y no cenizas\u00a0<\/p>\n

La densidad del plasma\u00a0<\/p>\n

era de billones de toneladas\u00a0<\/p>\n

por cent\u00edmetro c\u00fabico<\/p>\n

Porque nadie sab\u00eda<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 hasta ahora\u00a0<\/p>\n

que eras el noventisiete por ciento\u00a0<\/p>\n

de todo<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 quedando solo un tres a repartir\u00a0<\/p>\n

entre hijos de puta y demases<\/p>\n

Porque gracias a ti\u00a0<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 nadie se aleja\u00a0<\/p>\n

ya de nadie y todo tiende a unirse<\/p>\n

Y no importa que sea\u00a0<\/p>\n

en una llama dura\u00a0<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 en un punto radiante<\/p>\n

Te celebro<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 porque eres\u00a0<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 la esencia del espasmo<\/p>\n

materia de ternura<\/p>\n

\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 o ese poco de nada\u00a0<\/p>\n

con que mi t\u00eda dora sus natillas<\/p>\n

Gracias a dios<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 no es infinito el mundo<\/p>\n

Como el verso<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 est\u00e1 hecho de s\u00edlabas<\/p>\n

que es posible contar<\/p>\n

El mundo cabe en un alejandrino<\/p>\n","protected":false},"excerpt":{"rendered":"

The current\u00a0Kenyon Review (JAN\/FEB 2018, Volume XL Number 1) features a special section,\u00a0Generation Zero: New Cuban Poetry, edited by Katherine M. Hedeen and V\u00edctor Rodr\u00edguez N\u00fa\u00f1ez,\u00a0translator and author of With a Strange Scent of World, herein. In the introduction (available online), they write: It\u2019s not a clich\u00e9 by any means to declare that few times […]<\/p>\n","protected":false},"author":2,"featured_media":1384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[206,268],"tags":[214,263,262,215,246],"class_list":["post-1325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-announcements","category-magazine","tag-hedeen","tag-katherine-m-hedeen","tag-kenyon-review","tag-nunez","tag-victor-rodriguez-nunez"],"yoast_head":"\nThe Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen - Lavender Ink \/ Di\u00e1logos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen - Lavender Ink \/ Di\u00e1logos\" \/>\n<meta property=\"og:description\" content=\"The current\u00a0Kenyon Review (JAN\/FEB 2018, Volume XL Number 1) features a special section,\u00a0Generation Zero: New Cuban Poetry, edited by Katherine M. Hedeen and V\u00edctor Rodr\u00edguez N\u00fa\u00f1ez,\u00a0translator and author of With a Strange Scent of World, herein. In the introduction (available online), they write: It\u2019s not a clich\u00e9 by any means to declare that few times […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/\" \/>\n<meta property=\"og:site_name\" content=\"Lavender Ink \/ Di\u00e1logos\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/lavenderinkdialogos\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-01-21T07:00:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"499\" \/>\n\t<meta property=\"og:image:height\" content=\"203\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Bill Lavender\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@lavender_ink_pr\" \/>\n<meta name=\"twitter:site\" content=\"@lavender_ink_pr\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Bill Lavender\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/\"},\"author\":{\"name\":\"Bill Lavender\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/#\/schema\/person\/103f6125825e04dc2358b0a3e5541004\"},\"headline\":\"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen\",\"datePublished\":\"2018-01-21T07:00:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/\"},\"wordCount\":819,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg\",\"keywords\":[\"Hedeen\",\"Katherine M. Hedeen\",\"Kenyon Review\",\"Nu\u00f1ez\",\"V\u00edctor Rodr\u00edguez N\u00fa\u00f1ez\"],\"articleSection\":[\"Announcements\",\"Magazine\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/\",\"url\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/\",\"name\":\"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen - Lavender Ink \/ Di\u00e1logos\",\"isPartOf\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg\",\"datePublished\":\"2018-01-21T07:00:29+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage\",\"url\":\"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg\",\"contentUrl\":\"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg\",\"width\":499,\"height\":203},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.lavenderink.org\/site\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/#website\",\"url\":\"https:\/\/www.lavenderink.org\/site\/\",\"name\":\"Lavender Ink \/ Di\u00e1logos\",\"description\":\"Publisher of Contemporary Poetry and Literary Prose\",\"publisher\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.lavenderink.org\/site\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/#organization\",\"name\":\"Lavender Ink \/ Di\u00e1logos\",\"url\":\"https:\/\/www.lavenderink.org\/site\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/cityscape-800.jpg\",\"contentUrl\":\"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/cityscape-800.jpg\",\"width\":800,\"height\":183,\"caption\":\"Lavender Ink \/ Di\u00e1logos\"},\"image\":{\"@id\":\"https:\/\/www.lavenderink.org\/site\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/lavenderinkdialogos\/\",\"https:\/\/x.com\/lavender_ink_pr\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/#\/schema\/person\/103f6125825e04dc2358b0a3e5541004\",\"name\":\"Bill Lavender\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.lavenderink.org\/site\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/d3eb1f38fd1ecd3f28da8afd47cfc0c0da3eb71d32b6c0f19cd0106ac573b460?s=96&d=mm&r=pg\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/d3eb1f38fd1ecd3f28da8afd47cfc0c0da3eb71d32b6c0f19cd0106ac573b460?s=96&d=mm&r=pg\",\"caption\":\"Bill Lavender\"},\"description\":\"Bill Lavender founded Lavender Ink, a small press devoted mainly to poetry, in 1995, and he founded Di\u00e1logos, an imprint devoted to cross-cultural literatures (mostly in translation) in 2011. He continues to operate the press from his home in New Orleans. You can read an interview with Bill in Jacket2 about the press here: https:\/\/jacket2.org\/commentary\/lavender-ink-interview Bill is also the co-founder of the New Orleans Poetry Festival (nolapoetry.com).\",\"sameAs\":[\"http:\/\/www.lavenderink.org\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen - Lavender Ink \/ Di\u00e1logos","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/","og_locale":"en_US","og_type":"article","og_title":"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen - Lavender Ink \/ Di\u00e1logos","og_description":"The current\u00a0Kenyon Review (JAN\/FEB 2018, Volume XL Number 1) features a special section,\u00a0Generation Zero: New Cuban Poetry, edited by Katherine M. Hedeen and V\u00edctor Rodr\u00edguez N\u00fa\u00f1ez,\u00a0translator and author of With a Strange Scent of World, herein. In the introduction (available online), they write: It\u2019s not a clich\u00e9 by any means to declare that few times […]","og_url":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/","og_site_name":"Lavender Ink \/ Di\u00e1logos","article_publisher":"https:\/\/www.facebook.com\/lavenderinkdialogos\/","article_published_time":"2018-01-21T07:00:29+00:00","og_image":[{"width":499,"height":203,"url":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg","type":"image\/jpeg"}],"author":"Bill Lavender","twitter_card":"summary_large_image","twitter_creator":"@lavender_ink_pr","twitter_site":"@lavender_ink_pr","twitter_misc":{"Written by":"Bill Lavender","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#article","isPartOf":{"@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/"},"author":{"name":"Bill Lavender","@id":"https:\/\/www.lavenderink.org\/site\/#\/schema\/person\/103f6125825e04dc2358b0a3e5541004"},"headline":"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen","datePublished":"2018-01-21T07:00:29+00:00","mainEntityOfPage":{"@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/"},"wordCount":819,"commentCount":0,"publisher":{"@id":"https:\/\/www.lavenderink.org\/site\/#organization"},"image":{"@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage"},"thumbnailUrl":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg","keywords":["Hedeen","Katherine M. Hedeen","Kenyon Review","Nu\u00f1ez","V\u00edctor Rodr\u00edguez N\u00fa\u00f1ez"],"articleSection":["Announcements","Magazine"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/","url":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/","name":"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen - Lavender Ink \/ Di\u00e1logos","isPartOf":{"@id":"https:\/\/www.lavenderink.org\/site\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage"},"image":{"@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage"},"thumbnailUrl":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg","datePublished":"2018-01-21T07:00:29+00:00","breadcrumb":{"@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#primaryimage","url":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg","contentUrl":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg","width":499,"height":203},{"@type":"BreadcrumbList","@id":"https:\/\/www.lavenderink.org\/site\/announcements\/hedeen-nunez-in-kenyon-review\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.lavenderink.org\/site\/"},{"@type":"ListItem","position":2,"name":"The Magazine, #2, 180121, Victor Rodr\u00edguez N\u00fa\u00f1ez\u00a0and\u00a0Katherine M. Hedeen"}]},{"@type":"WebSite","@id":"https:\/\/www.lavenderink.org\/site\/#website","url":"https:\/\/www.lavenderink.org\/site\/","name":"Lavender Ink \/ Di\u00e1logos","description":"Publisher of Contemporary Poetry and Literary Prose","publisher":{"@id":"https:\/\/www.lavenderink.org\/site\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.lavenderink.org\/site\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.lavenderink.org\/site\/#organization","name":"Lavender Ink \/ Di\u00e1logos","url":"https:\/\/www.lavenderink.org\/site\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.lavenderink.org\/site\/#\/schema\/logo\/image\/","url":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/cityscape-800.jpg","contentUrl":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/cityscape-800.jpg","width":800,"height":183,"caption":"Lavender Ink \/ Di\u00e1logos"},"image":{"@id":"https:\/\/www.lavenderink.org\/site\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/lavenderinkdialogos\/","https:\/\/x.com\/lavender_ink_pr"]},{"@type":"Person","@id":"https:\/\/www.lavenderink.org\/site\/#\/schema\/person\/103f6125825e04dc2358b0a3e5541004","name":"Bill Lavender","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.lavenderink.org\/site\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/d3eb1f38fd1ecd3f28da8afd47cfc0c0da3eb71d32b6c0f19cd0106ac573b460?s=96&d=mm&r=pg","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/d3eb1f38fd1ecd3f28da8afd47cfc0c0da3eb71d32b6c0f19cd0106ac573b460?s=96&d=mm&r=pg","caption":"Bill Lavender"},"description":"Bill Lavender founded Lavender Ink, a small press devoted mainly to poetry, in 1995, and he founded Di\u00e1logos, an imprint devoted to cross-cultural literatures (mostly in translation) in 2011. He continues to operate the press from his home in New Orleans. You can read an interview with Bill in Jacket2 about the press here: https:\/\/jacket2.org\/commentary\/lavender-ink-interview Bill is also the co-founder of the New Orleans Poetry Festival (nolapoetry.com).","sameAs":["http:\/\/www.lavenderink.org\/"]}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/www.lavenderink.org\/site\/wp-content\/uploads\/2018\/01\/nunezswath.jpg","jetpack_likes_enabled":false,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/posts\/1325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/comments?post=1325"}],"version-history":[{"count":0,"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/posts\/1325\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/media\/1384"}],"wp:attachment":[{"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/media?parent=1325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/categories?post=1325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lavenderink.org\/site\/wp-json\/wp\/v2\/tags?post=1325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}