{"id":13119,"date":"2020-09-28T10:32:44","date_gmt":"2020-09-28T15:32:44","guid":{"rendered":"https:\/\/www.lavenderink.org\/site\/?post_type=product&p=13119"},"modified":"2021-11-19T14:39:29","modified_gmt":"2021-11-19T20:39:29","slug":"sub-verse-workshop","status":"publish","type":"product","link":"https:\/\/www.lavenderink.org\/site\/shop\/sub-verse-workshop\/","title":{"rendered":"Sub Verse Workshop"},"content":{"rendered":"

Giancarlo Huapaya<\/a><\/h1>\n

Sub Verse Workshop<\/h2>\n

Translated by Ilana Dann Luna<\/a><\/h3>\n

ISBN:\u00a0978-1-944884-79-6 (pbk.)<\/p>\n

(November, 2020)\u00a0<\/p>\n

\n

 <\/p>\n

Sub Verse Workshop<\/em> is a collection of erotic, monstrous, political poems. The workshop is constructed like an Abecedary, in which each letter is a space where processes and\u00a0performances are developed, involving bio-political relations, micro-economies, neo-mythologies, sexual technologies, hybrid esthetics, and elastic concepts that are activated through mechanisms of evolution and mutation.\u00a0
\nThe workshop invites us in, as individuals, as groups, our individual identities fusing with\u00a0collectives, and then breaking off into ourselves again. Huapaya\u2019s style in this workshop is fragmentary and brutal, like shards of crystal reflecting, beautiful and bloodied. It is performative and neo-baroque, his\u00a0 poetic voice, the voice that leads this orgiastic sub verse\u00a0workshop slips between engaging the audience and focusing in on the center of the self. Huapaya\u2019s poetry vibrates, crackles, and burns, moving across the visceral and cerebral planes, back and forth, always circling in to a core of human experience, a painful or beautiful truth about the nature of humanity.<\/p>\n

Read a review by Honora Spicer at Action Books<\/a><\/p>\n

\n

Praise for Sub Verse Workshop<\/i><\/h3>\n

Dense with eros, Sub Verse Workshop<\/i> courses through the body\u2014through various bodies, in various relationships to each other\u2014until becoming one itself. Giancarlo Huapaya relentlessly pushes language past the confines of convention: he is a poet for whom poetry is ultimately the evolution of language. Ilana Dann Luna\u2019s genius extends that gift into the English language, pushing it further still. Her translation is not a rendering of an established text but an extension\u2014a subversion\u2014of a text whose very nature insists on its reinvention and renewal. Like the Peruvian innovators that precede him, from Oquendo de Amat to Eielson, Vallejo to Varela, Huapaya belongs to a rich tradition while remaining utterly his own.\u00a0<\/span><\/p>\n

\u2014David Shook<\/strong>, author of Our Obsidian Tongues,<\/i> and translator of Jorge E. Eielson\u00b4s Room in Rome<\/i><\/p>\n

 <\/p>\n

Through the most active forms of conceiving of bodily politics\u2014<\/i>systematically restricted by its binaries\u2014<\/i>Giancarlo Huapaya\u2019s postporno book, proposes a revolt beginning with the dynamic textual agitations that subvert the centrality of normative and monographic bodies. Organs open to radiances that extend into prosthesis that write in pluralistic camps, the nest of the distended organic in its specular syntax and imaginaries are reprocessed to open landscapes that illuminate and defeat the canonical and colonial text of sexual order.\u00a0<\/span><\/p>\n

\u2014<\/i>Carmen Berenguer<\/strong>, author of My Lai<\/i><\/p>\n

 <\/p>\n

Giancarlo Huapaya\u2019s Sub Verse Workshop<\/i> is positioned in an inflection point between the rhetoric of a manifesto, the argumentation of an essay and the illogic of a poem. This singular mix would seem radically opposed to any heavy literarity, and in fact, seeks its language on the outskirts of a conceptual metafilmic postporno in which performers, suddenly, begin to moan elaborate political formulations on the very act they are embodying in order to tell us that that\u2019s, in fact, life.\u00a0<\/span><\/p>\n

\u2014<\/i>Juan Jos\u00e9 Rodin\u00e1s<\/strong>, Casa de las Am\u00e9ricas Prize<\/i>, and author of Koan Underwater<\/i><\/p>\n

 <\/p>\n

Antonin Artaud once remarked that his \u201cTheatre of Cruelty\u201d was created in order to restore to the theatre a passionate and convulsive conception of life, and in that sense a violent rigor and extreme condensation of scenic elements must be understood as a severe moral purity which is not afraid to pay life the price it must be paid. This aesthetic attitude I think captures Giancarlo Huapaya\u2019s spirit perfectly. Huapaya\u2019s psychic excretive driven poetics mashes up the raw human reach for Life with the divination of machinic souls we too politely call Science. Sub Verse Workshop<\/i> is a delightfully frightful read, a scintillating exploration of how Late Capitalist informatic waste need not be merely contained and managed, but how it can be projected out\u2014and away <\/i>towards a new Chronos of Human Possibility. \u00a0<\/span><\/p>\n

\u2014<\/i>Rodrigo Toscano<\/strong>, author of Collapsible Poetics Theater<\/i><\/p>\n

 <\/p>\n

Sub Verse Workshop<\/i> unfurls, silky, before our eyes, like an invitation or instructions for how to create and unmake a tongue and its corporeal and stereo-societal surroundings. In this workshop-laboratory altered possibilities are imagined against restrictions and conventions of a language thick with complex colonial systems, binaries, and terrible behaviorist schema, where mutation and deformation flourish.<\/p>\n

\u2014<\/i>Maricela Guerrero<\/strong>, author of Kilimanjaro<\/i><\/p>\n

 <\/p>\n

The body as a confused certainty, from what\u2019s fragmented, splintered. The body deprograms its corporality and continues in relation to the self and the others, through impasse, occupation, and sharing. Giancarlo Huapaya\u2019s project through cultural construction redefines our relationships to other, an ever-changing process of construction, rather than an immovable or hereditary fact that remains static over time. The spaces of this \u201cworkshop\u201d aim to activate otherness as a constitutive part of the subjects, othernesses that are expressed in the other-lives-in-me-us, and I-we-live-in-the-other. Sub Verse Workshop<\/i> founds a genetic code and spreads it through a metapoetic in which \u201cYou should decide which gland you\u2019ll chew upon donating one muscle to the other.\u201d<\/p>\n

\u2014<\/i>Paul Guill\u00e9n<\/strong>, author of Historia secreta<\/i>\u00a0 \u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Giancarlo Huapaya<\/a>
\n9781944884796
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