{"id":13724,"date":"2022-05-20T07:42:51","date_gmt":"2022-05-20T12:42:51","guid":{"rendered":"https:\/\/www.lavenderink.org\/site\/?post_type=product&p=13724"},"modified":"2022-07-01T00:02:56","modified_gmt":"2022-07-01T05:02:56","slug":"scenes-from-a-ain-country","status":"publish","type":"product","link":"https:\/\/www.lavenderink.org\/site\/shop\/scenes-from-a-ain-country\/","title":{"rendered":"Scenes from a Rain Country"},"content":{"rendered":"

Chad Foret<\/a><\/h2>\n

Scenes from a Rain Country<\/h3>\n

114 Pages \/ Poetry<\/p>\n

978-1-956921-04-5<\/p>\n

(pbk. $19.95)\u00a0
\n<\/span><\/p>\n

June, 2022 (Preorder pricing through the end of June.)<\/p>\n

 <\/p>\n

\n

William Faulkner-William Wisdom Award
\nGrand <\/i><\/b>Prize Winner<\/i><\/b><\/h2>\n

Scenes from a Rain Country<\/i> explores the experiences and interior lives of people, wildlife, and places in Louisiana, with occasional visits to other locations, like Cleveland, Chile, and distant nebulae. The familiar and fantastic intersect as these poems disclose and disorient the entanglements of hurricanes and horse shadows, astronauts and plant taxonomy, octopus hearts and the moon.<\/p>\n

\n

 <\/p>\n

Praise for Scenes from a Rain Country <\/i><\/span><\/h3>\n

It\u2019s so rare for me to leave the last page of a poetry collection completely challenged and energized like I\u2019ve had a jolt of caffeine. Chad Foret\u2019s debut collection, Scenes from a Rain Country<\/i>, is exactly that kind of read. These poems whisk us across worlds, around the globe, from the ideal to the football field, and through myriads of philosophical stances and visions with limitless energy and depth. These lines pry and they sing. They clarify and confound in the best possible ways. Ghosts on the Danube, movie stars in the desert, touchdowns, fossils, floods, hog\u2019s blood, and moons\u2014it all shines in these poems. More than a gallery of the absurd and eclectic, though, Scenes from a Rain Country<\/i> is a tour of connections and of the sublime. I cannot imagine spending time with these poems and not feeling better for having read them.<\/p>\n

\u2014Jack B. Bedell, Poet Laureate, State of Louisiana, 2017-2019, and author of Color All Maps New<\/i>.<\/p>\n

 <\/p>\n

These poems should be read\u2026 when you\u2019re \u201cnot sure how\u00a0\/ gore & love go on,\u201d when \u201cA lifetime of brushes\u00a0\/ falls from your hair,\u201d when you need a warning: \u201cWhat a dangerous\u00a0\/ place to daydream, a plaza.\u201d Days after reading these poems I am caught in their \u201cheat mirage,\u201d in \u201cBogalusa\u2019s shoulder-blades.\u201d Help me.<\/p>\n

\u2014Angela Ball, author of Night Clerk at the Hotel of Both Worlds<\/i> and Talking Pillow<\/i><\/p>\n

 <\/p>\n

Scenes from a Rain Country<\/i>, Chad Foret\u2019s first book of poetry, is a rich, multi-formed collection that meditates on life, death, and everything in between. On one level, Foret\u2019s world is down-to-earth, full of movie houses, family, crawfish boils, small Louisiana towns, fish guts, favorite beagles, and hurricanes. But it is also hallucinatory, haunted first by flowers and hummingbirds, then by angels, ghosts, dreams and nightmares that lead readers from the real world deep into an unconscious realm guarded mostly by poets and other artists. Foret\u2019s language is thick, sometimes intentionally innovative and puzzling, with lines that stop readers cold, then burst like nebula into blazing epiphanies. \u201cHow lucky they were to live,\u201d the culminating line of one poem reads, and that might summarize the underlying feeling for readers of this collection, which never blinks at the world and as a result makes everything\u2014whether dark or light\u2014come alive in words for an instant.<\/p>\n

\u2014Dr. Richard Louth, Director of Southeastern Louisiana Writing Project<\/p>\n

 <\/p>\n

Chad Foret\u2019s debut bewitches. [\u2026] It loves you & will never leave. Like hunger, you\u2019ll return\u2014you must\u2014ask for more, & it gives. Foret\u2019s poetry is reason enough to live.\u00a0<\/p>\n

\u2014Matthew Schmidt, Co-founder of 1-Week Critique<\/p>\n

 <\/p>\n

I am confident writers of the 22nd century will regard Chad Foret\u2019s Scenes from a Rain Country<\/i>\u00a0as the text where surrealism and intimacy swam a mutual reservoir. For every moment in which \u201cI\u2019d want you to place\u00a0\/ an unpeeled orange in my mouth so I might\u00a0\/ \/ one night be mistaken for a small fire,\u201d the poet blasts to a\u00a0Van Allen belt of \u201cmonochrome peppermint\u201d and \u201cvelvet time.\u201d And when Lingua Firma is reached, what travel companion is more suitable than \u201ca cosmic swan?\u201d Whether Pontchartrain or the Tarantula Nebula, location is Foret\u2019s clay, his sculpting so cerebrum-fueled that like \u201cAlligator Squash\u2019s\u201d Cajun grandson, \u201cYou better ask for more.\u201d\u00a0<\/p>\n

\u2014Jon Riccio, author of Eye, Romanov <\/i>and Prodigal Cocktail Umbrella<\/i><\/p>\n

 <\/p>\n

Scenes from a Rain Country<\/i> transports the reader from rural Louisiana pastorals to the outermost tendrils of the Tarantula Nebula. Each of Foret\u2019s finely crafted poems crackles with incantatory power and an unrivaled attention to detail. Deer roam about, mouths stuffed with \u201cdiamond jelly,\u201d while \u201clions are lost\u00a0\/ in a lunch of someone else\u2019s lungs\u201d and dragonflies pause \u201cto sip gasoline.\u201d Foret\u2019s poetic garden is dark, fecund, and teeming with violence, yet above these worldly concerns there\u2019s a recurring call for love and clemency.<\/p>\n

\u2014Nickalus Rupert, author of Bosses of Light and Sound<\/i><\/p>\n

 <\/p>\n

The poems in Scenes from a Rain Country<\/i> exist nearby the surreal and the psychedelic, but they are neither. What they are is the unique voice of an emerging poet\u2019s mind wandering and exploring and hoping someone will \u201cTell me I\u2019m a miracle.\u201d Chad Foret\u2019s debut collection of poems is marvellous and one that may set you \u201cfree by default.\u201d<\/p>\n

\u2014Tom Holmes, editor of Redactions: Poetry & Poetics<\/i> and winner of The Bitter Oleander Press Library of Poetry Book Award.<\/p>\n

 <\/p>\n

You\u2019ll want to savor every line. The sounds and images in these poems are electric. These poems are why I read poetry. Foret explores language and form with jubilation, momentum, and grace.<\/p>\n

\u2014Olivia Clare Friedman, author of The 26-Hour Day<\/i>, Disasters in the First World<\/i>, and Here Lies<\/i><\/p>\n

 <\/p>\n

Chad Foret\u2019s Scenes from a Rain Country<\/i> blurs time and place into a surreal world I can\u2019t quite shake even after I put the book down. Like \u201cenvelopes from the afterlife,\u201d his poems capture the past and illuminate a stark and sudden present, a place where love and death are one in the same. Somehow these remarkable poems unfold like living things. They grow wild like the weeds.<\/p>\n

\u2014Adam Clay, author of To Make Room for the Sea<\/i>, Stranger<\/i>, A Hotel Lobby at the Edge of the World<\/i>, and The Wash<\/i><\/p>\n

 <\/p>\n

Chad Foret\u2019s Scenes from a Rain Country<\/i> rollicks and roils Southeast Louisiana to life with \u201cwatersong,\u201d psychedelic poems of place that conjure and name real rivers and swamps and creatures alongside of turquoise dogs and pink horses in a place where \u201cCajun women never die,\u201d and \u201cCircus animals struggle to learn string instruments.\u201d The ending of the opening poem, \u201cThe Shrine Rises,\u201d sets the tone for the book: \u201cI split\u00a0\/ the prayers of swimmerets, wipe flavor\u00a0\/ from my face. The heart I eat entirely.\u201d Such voraciousness infuses this surprising and imaginative debut.<\/p>\n

\u2014Rebecca Morgan Frank, author of Oh You Robot Saints!<\/i>, Little Murders Everywhere<\/i>, and The Spokes of Venus<\/i><\/p>\n

 <\/p>\n

Chad Foret wrests the magic from the ordinary, stretching grammar to a breaking point as its capacity to contain meaning is challenged. The weight of the surreal imagery threatens to crack the syntax. Foret spins inward, creating worlds within the worlds of rural Louisiana. He writes, \u201c[M]y mother whispered spells\u00a0\/ into the Cajun trinity, bell-\u00a0\/ peppers, celery, & onions.\u00a0\/ She wasn\u2019t a shapeshifter,\u00a0\/ but maybe, when I wasn\u2019t\u00a0\/ looking, she was sister to\u00a0\/ some transplant priestess\u00a0\/ with shellfish in her hair.\u201d Foret grabs the tail of her spell and with its power, he invokes a wild language, a poetry that lovingly holds his ancestors, the places where he grew up, and his readers. He asks, \u201cWhat fossil isn\u2019t happy to be held?\u201d<\/p>\n

\u2014Brandi George, author of Faun<\/i> and Gog<\/i><\/p>\n

 <\/p>\n

What Richard Hugo is to the Pacific Northwest, Chad Foret is to Southeast Louisiana. The poems in\u00a0Scenes from a Rain Country<\/i>\u00a0speak with the voice of one who knows a place as intimately as the back of their own proverbial hand\u2014and as if they are seeing this place for the first time. The landscape of Foret\u2019s imagination is enviably vast, and the triggering towns of this collection defamiliarize home until it \u201cis\u00a0wherever feelings\u00a0\/ are foggiest & the buildings look like they\u00a0\/ were beaten with another building.\u201d Every line in this collection is an unpredictable delight that promises nothing but to unsettle the reader with its intricate syntax and a world of meaning suspended in every break. To discover these poems is to feel as though one has \u201cjust happened onto something holy,\u201d baptized by water in each of its possible forms.\u00a0<\/p>\n

\u2014Hannah Dow, author of Rosarium<\/i><\/p>\n

 <\/p>\n

Chad Foret\u2019s debut collection, Scenes from a Rain Country<\/i>, guts me. This \u201cswamp pastoral\u201d\u2014part love poem, part elegy, part ecopoetic cri de coeur<\/i>\u2014honors Gertrude Stein\u2019s definition of poetry as \u201cloving the name of anything.\u201d Grand Isle and New Orleans, Bayou des Allemands and Black Creek, cypress trees and cattails, catfish and roseate spoonbills, alligator squash and mirliton, deer and heron, Cajun elders Nilda and Ki, beloved Audrey, and Hurricanes Ida and Katrina\u2014yes, even \u201cKatrina\u2019s dark crust on the glass\u201d\u2014 populate the book. Yet Foret troubles vivid local context with nervy juxtapositions that put me in mind of American surrealist Bill Knott. Foret\u2019s surrealist bent contributes to a recovery of spirituality through encounters with nature, or as he writes, \u201cmany times I\u2019ve walked\u00a0\/ through woods & just happened onto something holy.\u201d Let us follow the wild and generous poet into his holy woods.<\/p>\n

\u2014Carolyn Hembree, author of Rigging a Chevy into a Time Machine and Other Ways to Escape a Plague<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Chad Foret
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