{"id":13902,"date":"2022-12-11T14:59:27","date_gmt":"2022-12-11T20:59:27","guid":{"rendered":"https:\/\/www.lavenderink.org\/site\/?post_type=product&p=13902"},"modified":"2024-08-02T13:48:06","modified_gmt":"2024-08-02T18:48:06","slug":"openings","status":"publish","type":"product","link":"https:\/\/www.lavenderink.org\/site\/shop\/openings\/","title":{"rendered":"Ouvert Oeuvre: Openings"},"content":{"rendered":"

Poems by Adeena Karasick<\/a><\/h3>\n

Visualization by Warren Lehrer<\/a><\/h3>\n

Ouvert Oeuvre: Openings\u00a0<\/em>
\nTouching in the Wake of the Virus<\/em><\/h2>\n

96 Pages \/ Poetry<\/p>\n

(3-piece Hardcover, paper over boards, 3-color foil stamp, one color interior, offset printed on acid-free paper, smyth sewn: $28.95)<\/p>\n

ISBN 978-1-956921-13-7, October 5, 2023.<\/p>\n

 <\/p>\n

\n

Inscribing what Levinas might call \u201cespace vital\u201d (the space\u00a0we can survive), Ouvert Oeuvre: Openings<\/em> is an ecstatically wrought, never quite post-Covid celebration\/trepidation of openings. Written by Adeena Karasick and visualized by master book artist\/vis lit pioneer Warren Lehrer, the two poems track the pain of openings read through socio-economic, geographic and bodily space. They explore a range of intralingual etymologies of the word opening, laced with post-consumerist and erotic language, theoretical discourse, philosophical and Kabbalistic aphorisms. The poems foreground language as an organism of hope\u2014highlighting the concept of opening as an ever-swirling palimpsest of spectral voices, textures, whispers and codes transported through passion, politics and pleasure as we negotiate loss and light.<\/p>\n

This exquisitely produced book is the first collaboration between poet, performer, cultural theorist and media artist Adeena Karasick, and pioneer designer\/author and vis lit practitioner Warren Lehrer. The poems, written by Karasick, speak-sing to re-entering the world after a long period in quarantine. Lehrer choreographs Karasick\u2019s words on the stage of the page and through the pages of this volume. His typographic compositions give form to the interior, emotional, metaphorical, historical and performative underpinnings of the poems. Together, the writing and visuals create a new whole that engages the reader to become an active participant in the experience\/performance of the poems. The book\u00a0is augmented by a soundtrack recording of both poems performed by Karasick with music by\u00a0Grammy-award winning composer\/musician\u00a0Frank London.\u00a0<\/p>\n

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Sample Pages<\/a><\/p>\n

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Praise for Ouvert Oeuvre: Openings<\/h3>\n
\n

\u201cAn arresting attempt to put collective pain and healing on the page\u2026<\/i> In many ways, the Covid-19 pandemic has thrust deconstruction upon the world, unraveling beliefs and allowing people to see the world with new eyes. Karasick\u2019s poems and Lehrer\u2019s images of textual choreography deal with what emerging from a long, isolating quarantine feels like \u2018in the today of wild touching; \/ the today of withholding, the today of \/ passionate rations.\u2019 \u2026Karasick often uses alliteration and sonic association to represent this slow re-entry\u2014the kinetic chaos of relearning one another. Lehrer makes a performance out of form\u2026 forcing the eye to sweep across unpredictable, textured pages when Karasick\u2019s speakers lament their physical alienation\u2026 This collaboration keenly embodies a collective trauma that eludes a singular definition.\u201d
\nKirkus Reviews<\/b><\/span> <\/a>(Starred Review<\/i>)\u00a0<\/span><\/span><\/p>\n

 <\/p>\n

\u201cOuvert Oeuvre: Openings<\/i>, a vivid new graphic-text collaboration by poet-theorist Adeena Karasick and writer-designer Warren Lehrer, has the subtitle, \u201cTouching in the Wake of the Virus<\/i>,\u201d marking our distance from lockdown. Return and reawakening register in subtle observations\u2026 We are back in the world, sort-of, through milestones and marked moments in which the concept of \u201copen\u201d carries a variety of meanings\u2026 Polyglot resonances reflect the global reach of the virus\u2026 air bubbles and exclamations effervesce\u2026 erotic play and sexual associations culminate in the corona virus floating through and across the space. Vectors of force and torque instantiate a text full of edges and conflicts, interruptions and disruptions, careening towards its final statement\u2026 Nothing in this collaborative project feels like a wrong note or mistake. Distinctly shaped, strikingly formed, read as\u2014not through its\u2014graphical language, Ouvert Oeuvre<\/i> is a vivid book, vibrant and attractive, and handled with suppleness.\u201d
\nJohanna Drucker<\/b>, JD: ABCs Newsletter<\/i>, Substack<\/p>\n

 <\/p>\n

\u201cA striking publication that gives voice (and form) to the challenges, triumphs, interactions and realizations of our post-pandemic world. In this engaging hardback, writer, designer and book artist Warren Lehrer has visually staged powerful lines by poet, performer and cultural theorist Adeena Karasick. Raw emotions and meaning jump off the page in stirring alliterations, capturing observations made throughout the years of lockdowns\u2026 The chaos, pain, hope and connections (or absence of) experienced during the pandemic are inescapable in these playful visualisations\u2026. The publication comes to a close with a QR code that links to another collaboration\u2014this time with Grammy-award winning composer and musician Frank London\u2014of powerful recordings, delivered with such fervour by Karasick\u2026 Ouvert Oeuvre: Openings <\/i><\/span>demonstrates the crafting of a sensory experience and will interest anyone with an appetite for linguistic and typographic experimentation\u2026\u201d
\nAmy Henry<\/b><\/span>\u00a0Eye Magazine<\/b><\/span><\/a><\/p>\n

 <\/p>\n

\u201c[Ouvert Oeuvre: Openings<\/i><\/span>] is like nothing I\u2019ve seen in recent memory\u2026 I wonder why most books don\u2019t look like your book? Why is it such a dark horse? Because what you\u2019re doing is not \u2018experimental.\u2019 It\u2019s 21st-century realism\u2026 It\u2019s not just that this is a pandemic book. People don\u2019t seem to realize the world in front of them. Because they go about their whole day, they\u2019re texting with their friends, they\u2019re looking at YouTube videos, and then, when they sit down to write, they might as well be sitting there with a quill and a candle. Ouvert Oeuvre: Openings<\/i><\/span> is a 21st-century book. It\u2019s how information flows\u2026 A joyful meditation connection to our post-everything world\u2026 Laid out in a perfect expression of what the language is doing\u2026 gritty\u2026 beautiful!\u201d
\nBill Lessard<\/b><\/span> Heavy Feather Review<\/b><\/span><\/a> (interview with Karasick & Lehrer)<\/p>\n

 <\/p>\n

\u201cA\u00a0total work of art,\u00a0Ouvert Oeuvre: Openings<\/i><\/span> combines poetry, typographic design, and music as a single unit\u2026 The soundtrack of Karasick\u2019s reading of the poems to sound design by composer\/performer Frank London allows one to read\/view Lehrer\u2019s typography along with the aural presentation. The two poems\u2014\u201cOpenings\u201d and \u201cTouching in the Wake of the Virus\u201d\u2014express a re-awakening of body and mind after two years of seclusion. The poems demand a performance and exuberance that matches their look, their puns, alliterations, allusions, and sheer sonority of enunciation\u2026 It is a reward for those who have survived and endured\u2014so open the book, touch its surfaces, and enjoy.\u201d
\nTom Bowden<\/b><\/span>\u00a0Book Beat<\/b><\/span><\/a>, I Arrogantly Recommend <\/i><\/span>column<\/p>\n

 <\/p>\n

\u201cThe Covid virus and ensuing chaos is now a touchstone of early 21st-century artistic expression, especially poetry, not the least of which is the dramatic Ouvert Oeuvre: Openings<\/i><\/span>. The poems by Adeena Karasick, a New York\u2013based Canadian poet, performer, cultural theorist, media artist and the author of 12 books of poetry and poetics, have been interpreted and typographically visualized by Warren Lehrer, a pioneer of the typographic narrative and poetry movement. Delicately designed and smartly produced\u2014in a smyth-sewn, three-color foil-stamped three-piece hardcover binding\u2014Ouvert Oeuvre: Openings <\/i><\/span>is a swirling palimpsest of spectral voices, textures, whispers and type\u2026 and will appeal to anyone trying to find humanity in the wake of pandemics.\u201d
\nSteven Heller<\/b><\/span>\u00a0Print Magazine<\/b><\/span><\/a><\/p>\n

 <\/p>\n

\u201cInnovative Ouvert Oeuvre: Openings<\/i> Book Explores Post-Pandemic World\u2026 This is the first collaborative book between poet, performer and cultural theorist Karasick and designer\/author\/vis lit pioneer Warren Lehrer who has a track record of producing work which melds books, typography, animation, and performance\u2026 The book comes with a soundtrack recording of Karasick reading the poems with music composed and performed by Grammy award-winning composer and trumpet player, Sir Frank London.\u201d
\nFine Books and Collections<\/b><\/span><\/a><\/p>\n

 <\/p>\n

\u201c<\/i>An artistic collaboration that evokes\u2014through poetry and design\u2014the reopening of the world after Covid-19 shut it down\u2026 What captures the imagination in both these poems is the gray areas between opening, but not fully, and touching, but not all the way, and not with confidence\u2026 In this book, which comes with an audio soundtrack, the oral and the visual and the printed word all come together.\u201d
\nNY Public Radio<\/b><\/span><\/a><\/p>\n

 <\/p>\n

\u201cA true masterpiece of linguistic play and exploration! Karasick and Lehrer have created an exceptional work that deserves recognition for its innovative approach to language, masterful use of visual and literary techniques, and its contribution to the ongoing conversation about language, media, and culture.\u201d
\nPaolo Granata<\/b>, <\/b>Professor, Book and Media Studies, University of Toronto\u00a0<\/i><\/p>\n

 <\/p>\n

\u201cRecommended for all poetry lovers\u2026 In Ouvert Oeuvre: Openings<\/i>, words capture the complexity and richness of touch, with its ability to connect us to others, to leave a lasting impression, and bring pleasure and joy\u2026 from a reader\u2019s mind and a wardrobe, to the sea and a microphone\u2026 Transformative and deeply rewarding.\u201d
\nRuchi Agarwal<\/b> Pegasus Literary<\/i><\/b>\u00a0<\/p>\n

 <\/p>\n

\u201cThis book asks the reader to engage in such original and challenging ways. It\u2019s an absolutely gorgeous reading experience on the page. Then through a QR code in back, you get to experience and read along with the recording of Adeena\u2019s beautiful, trance-like performance. Spectacular!\u201d
\nKaren Karbiener<\/b> Director, Walt Whitman Initiative\u00a0<\/span><\/p>\n

 <\/p>\n

\u201cLike slowed-down Joyce, with less inscrutable puns but equally high-powered formulas and searing insights, Ouvert Oeuvre: Openings<\/i>\u00a0deserves our utmost attention. A deftly wrought and groundbreakingly crucial volume.\u201d
\nDerrick de Kerckhove<\/b>, <\/b>author of The Skin of Culture <\/i>and Connected Intelligence<\/i><\/p>\n

 <\/p>\n

Punning with conceptual condensations until pleasures become fireworks, joyously singing the language dynamic, displaying heartfelt learning, sexy switch-ups and flights of insight, this work is a gasp-worthy balance of poetic eros, theoretical intelligence, and luminous suspicion. An all-round original book, here the sacred, the playful, the Kabbalah and the female are flying high in polymorphous boldness. A hell of a book. Karasick blasts on all her cylinders!
\nRachel Blau DuPlessis<\/b>, poet-critic<\/i><\/p>\n

 <\/p>\n

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<\/a>\"\"<\/p>\n

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Adeena Karasick
\nVisualization: Warren Lehrer
\n9781956921137
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