{"id":15289,"date":"2024-12-20T08:58:59","date_gmt":"2024-12-20T14:58:59","guid":{"rendered":"https:\/\/www.lavenderink.org\/site\/?post_type=product&p=15289"},"modified":"2025-03-02T00:00:05","modified_gmt":"2025-03-02T06:00:05","slug":"volverse-volver","status":"publish","type":"product","link":"https:\/\/www.lavenderink.org\/site\/shop\/volverse-volver\/","title":{"rendered":"Volverse \/ Volver"},"content":{"rendered":"

Mark Statman<\/h2>\n

Volverse \/ Volver<\/i><\/h3>\n

ISBN 978-1-956921-45-8<\/span> (pbk.)<\/span><\/h3>\n

166 pages: $19.95
\nApril 1, 2025 (Pre-order pricing through March 1, 2025)<\/p>\n

 <\/p>\n

\n

Volverse\/Volver <\/i>(Becoming\/Return<\/em>) is the third of Mark Statman\u2019s metaphysical, lyrical Mexican books, one in which he \u201caddresses our historical moment, his dual life in Mexico and the U.S., and the intimacies, personal and environmental, that bind us to others and to the world.\u201d (Jesse Lee Kercheval). The exile and home of the hechizo<\/i> worlds deepen with weight and counterweights, liberations and deliberations, of life, death, landscape and breath.<\/p>\n

 <\/p>\n

\n

Praise for Mark Statman<\/p>\n

In this haunting, vivid new collection, Volverse\/ Volver,<\/i> Mark Statman addresses our historical moment, his dual life in Mexico and the U.S., and the intimacies, personal and environmental, that bind us to others and to the world. Becoming and returning, Statman moves through grief and loss towards a renewal in a book charged with exultation and tenderness.<\/p>\n

\u2014Jesse Lee Kercheval<\/i><\/p>\n

 <\/p>\n

Begin with \u201csong dance\u201d and you fly at once enchanted, and if it\u2019s a dance with apples peaches pears Buddha and hallelujah choruses, which Mark Statman gives us, how can one not stand up and look at the sky, the stars, the universe, as one has never seen before? This book is a cosmos book, or at least the world through a constant shifting and moving of language through \u201csun worship \/ and rain.\u201d It doesn\u2019t explain it all to us, but takes us there, opens our senses. A gift of \u201clives lived,\u201d of \u201ccontradictions of philosophy,\u201d of belief that our roads lead somewhere, our stories (\u201csubtle without logic\u201d) are imaginations beyond what we had imagined. Not that all is fruit and roses, for sometimes bodies of our loved ones, not well, make us aware of ends, of the end. But because of the gifts we know, when time calls us, \u201cwe\u2019ll be there,\u201d knowing and saying the names of the angels and saints. So come along, \u201cout the door,\u201d \u201ccome with come \/ along come gone.\u201d Don\u2019t miss this gorgeous book of amazement in this and \u201ccountless worlds.\u201d Go and gone . . . and come back.<\/p>\n

\u2014Charles Alexander<\/i><\/p>\n

 <\/p>\n

Arriba, en la monta\u00f1a, bajo el cielo de Monte Alb\u00e1n, la voz del poeta nombra el valle: identifica las cosas y a los dioses de su nuevo hogar. Lo sucedido antes, fuera de un mundo percibido en otro idioma, el espa\u00f1ol, no queda atr\u00e1s, entra plenamente en el paisaje. Volverse\/Volver reconcilia el ayer y el presente con la naturalidad de un trueno. Con este libro, de poderosa nostalgia, el poeta Mark Statman nos deja ver que lo sagrado palpita en el tiempo, y en toda cotidianidad.<\/p>\n

\u2014Araceli Mancilla Zayas<\/i><\/p>\n

 <\/p>\n

Everything builds in Volverse\/Volver, inexorably, grievingly, and in the end triumphantly. The last section, \u201cEmbrujo,\u201d is striking and moving beyond words.\u00a0This is the mature work of a man coming to terms with love, pain, sorrow, mortality, and, yes, God. I can offer nothing but congratulations.\u00a0<\/p>\n

\u2014Pablo Medina<\/i><\/p>\n

 <\/p>\n

Writing from Oaxaca where he can see the night sky Mark Statman calls in all the planets all the stars all the local goddesses and gods to help him situate the soul and us.<\/p>\n

someone wrote me to\/say how tired they\/\/were of politics on\u00a0\/earth I thought of\u00a0\/the politics of\u00a0\/heaven and hell\u00a0\/politics of the\u00a0\/sun the moon and\u00a0\/Venus Jupiter stars<\/i><\/p>\n

Turning and turning these nervy nervous skinny poems roll out scrolls of the inner voice to bless each moment at the tip of the tongue.\u00a0<\/p>\n

\u2014Rodger Kamenetz<\/i><\/p>\n

 <\/p>\n

The M\u00e9xico we hold in our hands in Hechizo is emblematic of palpable realities that endure and soar, revive and inscribe, resurrect and direct the energy of an entire region, which the poet inhabits physically and poetically.<\/p>\n

\u2014Gabriella Guti\u00e9rrez y Muhs, Cultural Daily<\/i><\/p>\n

 <\/p>\n

Jagged, unfettered, letting its art stem from the soul\u2026The vision and soundscape of\u00a0Hechizo\u00a0are full of desire and spirituality, touch and yearning, attack and tranquility, and, above all, irrefutably, tremendously alive. There is ecstasy, but so unhindered as to be free and verge on anonymity.<\/p>\n

\u2014Nicholas Birns<\/i><\/p>\n

 <\/p>\n

The spell of Mark Statman\u2019s magical, marvelously absorbing Hechizo <\/i>begins with Furies and ends in Love. The poems casual yet perfectly poised short lines engender a sense of unbreakable continuity, until there\u2019s \u201cnothing\/left but ash and\/unmoving angelic their\/feathered wings\u201d as they bring all opposites together \u201cwhen change\/and the same are\/the same.\u201d They are an endless source of delight.<\/p>\n

\u2014John Koethe<\/i><\/p>\n

 <\/p>\n

The poems in Statman\u2019s beautiful new book\u00a0Hechizo\u00a0<\/i>occupy the thin place between life and death, dream and waking, love and loss. His words cast a spell on the reader; one can hear the music in each line\u2014as if there were a voice emanating from the page. In his work, the Mexican landscape is pulsating with life, but so are the recently and long dead, as well as vibrant memories of life and people left behind. \u2026to read this book is to remember what it feels like to be fully alive.<\/p>\n

\u2014Joanna Fuhrman<\/i><\/p>\n

 <\/p>\n

A hechizo<\/i> is, for good or ill, a spell, a kind of magic cast into or from life\u2019s uncertainties, an act of language, eliciting both the furies of a corrupt world and the redemptions of love, poetry in its earliest and most enduring form.\u00a0 <\/span>Mark Statman\u2019s Hechizo<\/i> draws on both types of spells with an urgent lyricism , at once quick-moving and inclusive.\u00a0 <\/span>There is a unique capacity here for engaging the furies of the social and political fully with the self, a measure of judgment and complicity, akin to the morally complex rhapsodic traditions of modern poetry in Spanish, which Statman successfully engaged with as a translator. The collection ends with a section of love poems, also called \u201cHechizo,\u201d redemptive but hardly certain, the prospect of love, for his parents, for two strangers sighted in the park, for himself.\u00a0 <\/span>This is a powerful collection, personal, in the best, most richly evolved sense.<\/p>\n

\u2014Michael Anania<\/i><\/p>\n

 <\/p>\n

Como todo conocedor de su oficio, el poeta Mark Statman sabe que la estructura que sostiene al mundo es el lenguaje, sabe que s\u00f3lo as\u00ed podemos conocerlo, admirarlo, actuar en \u00e9l. Como todo conocedor de su oficio. Statman sabe que un poema es una acci\u00f3n ritual, una f\u00f3rmula precisa que abre en alg\u00fan grado nuestro horizonte de realidad. Eso es Hechizo<\/i>.<\/p>\n

\u2014Efra\u00edn Velasco<\/i><\/p>\n

 <\/p>\n

Mark Statman\u2019s Exile Home <\/i>is a love poem, a snapshot, to the poet\u2019s adopted country so fresh in the poem \u201cMi M\u00e9xico\u201d. The air, the light, the poignancy of little girl with wooden bowl, & mystery of life next to another, a beloved partner, buzz with sharp grace. A contrast across the border, with family loss, but no walls, here. Power of \u201call the unseen\u2026writ in glass in water clouds\u201d join the fiesta. No ideas but in things. I want to go there too. This is a sweet and pungent sensory exile, almost a dream.<\/p>\n

\u2014Anne Waldman<\/i><\/p>\n

 <\/p>\n

Exile Home\u00a0<\/i>is an elegiac journey of discovery: \u201cthe room \/ that lights \/ the house\u201d is the possibility of coming to be who you are in whatever place we find ourselves. These are poems of transition as a form of mediation and meditation. Mark Statman\u2019s short lines mark the flux of sentiment as openness to what\u2019s next. \u201ccan you believe \/ we live like this\u201d? Only time tells.<\/p>\n

-\u2013Charles Bernstein<\/i><\/p>\n

 <\/p>\n

Mark Statman\u2019s fiercely elegiac book begins with the long poem, \u201cGreen Side Up,\u201d dedicated to his father.\u00a0\u00a0Written in lower case with no punctuation, it provides quick flashes of family memory and the present reality of grief.\u00a0\u00a0The reader is utterly absorbed and lifted:\u00a0\u00a0\u201con the phone \/ you say it\u2019s\/ another DIP \/ day in paradise \/ waking early enough \/ there were no \/ sounds of morning \/ only birdsong breeze \/ the meaning of paradise \/ that first moment \/ alone and taking in \/ coffee and sunlight.\u201d\u00a0\u00a0This is realism in the most beautiful sense.\u00a0\u00a0We are taken to the living moment as it passes.\u00a0\u00a0\u00a0\u00a0Italo Calvino wrote of \u201cthe moral values invested in the most tenuous traces.\u201d\u00a0\u00a0It\u2019s in \u201cthe intensity of minor acts\u201d (John Ashbery) that we are folded into the cloak of truth:\u00a0\u00a0\u201cwe did this \/ we did this \/ it happened \/ before we thought it.\u201d It was \u201ca voice made for radio\u201d:\u00a0\u00a0\u201cAl Statman here \/ good morning<\/i>.\u201d\u00a0<\/p>\n

\u2014Paul Hoover<\/i><\/p>\n

 <\/p>\n

At his best, Mark Statman whimsically seduces us to plug what large emptiness we carry into the day. Such a playfulness of spirit and sound, not yet outlawed in these parts, lifts us toward some unforeseen feeling or study of human life that would have eluded us, were it not for his sparse and controlled lines. Here is an eclectic imagination that redeems the conventional exploits of language and all the dead zones around us. Exile Home<\/i> consecrates Statman\u2019s forever voice.<\/p>\n

\u2014Major Jackson<\/i><\/p>\n

 <\/p>\n

Sieve-like and shifty language with more directness and clarity than obfuscation and obtuseness. The father poem of Exile Home<\/i>, \u201cGreen Side Up,\u201d is a triumph of courage and poetry and love. From it the manuscript opens like a flower of multiple petals. I am enthralled by a seeming innocence and a creeping wisdom, which, rather than distort the innocence, strengthens it. After all, we have the choice to see the world as unconcerned about our troubles in it. It is the world, not a bark on which we float toward happiness. An assertion of the will to see hope as language-driven, music-clad. Mr. Yeats and his wind-up birds. There are many drowsy emperors out there.<\/p>\n

\u2014Pablo Medina<\/i><\/p>\n

 <\/p>\n

To date, in spite of an incredibly productive and much lauded career as a poet, Mark Statman\u2019s greatest claim to fame is his astonishing translation, with Pablo Medina, of Garc\u00eda Lorca\u2019s Poet in New York. Exile Home <\/i>changes all that.<\/p>\n

\u2014John Yamrus<\/i><\/p>\n

 <\/p>\n

Although the poems in Mark Statman\u2019s lovely That Train Again<\/i> break down into sections and titles, you could almost read this book as a long, sweet poetic day of meditation; earth sky, birds, winds, wife, love, and the ways they attach themselves to the poet and, through him, to us. A good book of poetry will urge us not to miss the fine details. Here is music to slow the pulse and re-tune the ear to what is important.<\/p>\n

\u2014Cornelius Eady<\/i><\/p>\n

 <\/p>\n

Mark Statman\u2019s spare, candid poems speak of the ways a person moves \u201cfrom fold\/into blue.\u201d That Train Again<\/i> details out daily translation of \u201cworld\/into world.\u201d<\/p>\n

-\u2013Idra Novey<\/i><\/p>\n

 <\/p>\n

Mark Statman\u2019s voice brings together historical awareness with mindful surrender for the present moments (that sometimes calls back memories from psyche\u2019s depths). Mark Statman\u2019s lines are maps of the wind that carry us into wonder and love.<\/p>\n

\u2014Aliki Barnstone<\/i><\/p>\n

 <\/p>\n

Sung through a register of gentle if unrelenting consciousness on the part of the poet that the present is always inexhaustibly on the move, Statman\u2019s spare, concise, searching poems channel notations of experience through the visual and aural senses.<\/p>\n

\u2014Anselm Berrigan<\/i><\/p>\n

 <\/p>\n

Statman\u2019s voice is a kind of spare lyricism that reminds me of the ancient Greek poets of the Anthology or the concise voicings of Antonio Machado.<\/p>\n

-\u2013Joseph Stroud<\/i><\/p>\n

 <\/p>\n

\u2026an admirably light touch illuminates the seriousness behind the poems\u2026<\/p>\n

\u2013Tony Towle<\/i><\/p>\n

 <\/p>\n

Mark Statman delivers the tourist\u2019s wonder and distance in spare deliberate music\u2014American\u2019s grand plain poetry descended from William Carlos Williams to James Schuyler. Statman is a head-on poet willing to risk clarity in pursuit of the marvelous we might encounter anywhere.<\/p>\n

\u2014William Corbett<\/i><\/p>\n

 <\/p>\n

Statman gives us language as commitment, commitment as imagination, imagination as soul-making<\/p>\n

\u2014Joseph Lease<\/i><\/p>\n

 <\/p>\n

It\u2019s very rare to watch the birth of a new style. It\u2019s like watching through new set of Proust\u2019s kaleidoscopes. Mark Statman has been working for years on a vision of himself and parts of the city\u2014concentrated and bare as any poetry. It\u2019s hard to compare it to anything else.<\/p>\n

\u2014David Shapiro<\/i><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mark Statman
\nVolverse \/ Volver<\/em>, 9781956921458<\/span>
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