{"id":160,"date":"2017-09-25T06:18:49","date_gmt":"2017-09-25T06:18:49","guid":{"rendered":"http:\/\/www.lavenderink.org\/site\/?post_type=product&p=160"},"modified":"2020-08-01T00:00:49","modified_gmt":"2020-08-01T05:00:49","slug":"this-wasted-land-and-its-chymical-illuminations","status":"publish","type":"product","link":"https:\/\/www.lavenderink.org\/site\/shop\/this-wasted-land-and-its-chymical-illuminations\/","title":{"rendered":"This Wasted Land and Its Chymical Illuminations"},"content":{"rendered":"

Marc Vincenz
\nAnnotated by\u00a0Tom Bradley<\/h2>\n

ISBN 978-1-935084-72-3
\n242 pages: $19.00
\nApril, 2015<\/p>\n

 <\/p>\n

\n

 <\/p>\n

Marc Vincenz has achieved the virtuosic feat of rendering homage to The Waste Land<\/em><\/strong>\u00a0while simultaneously engendering a love epic of nine hundred lines. In Eliotian terms, he pursues a spirit who has, since the arrival of Homo sapiens, been manifesting herself in apparitions and nightmares. Vincenz enters and plunders the minds of Alexandrian gnostics, Celtic Druids, medieval alchemists, magi of the Iranian Plateau, and tantric adepts of the Indus Valley.\u00a0<\/p>\n

\u00a0<\/p>\n

Meanwhile, Tom Bradley has annotated this book in the strange way he did\u00a0Epigonesia<\/em>\u00a0<\/strong>(BlazeVox Books) and\u00a0Felicia’s Nose<\/em><\/strong>\u00a0(MadHat Press). He strip-mines the pseudepigrapha and snuffles into Mariolatry’s odd pastel nooks, where the sense of smell prevails over all others. As a precaution, Bradley doesn’t neglect to conjure the crone initiatrix of the Vama Marga who teaches prophets, seers and revelators to control their gag reflex. Gradually, something like a novel materializes among the endnotes. A strange figure emerges: Siegfried Tolliot, who, in 1958, shared intimacy with Ezra Pound at Saint Elizabeth’s insane asylum in Washington, D. C.<\/p>\n

\u00a0<\/p>\n

The result is that rarity of rarities: a new genre, situated in real time as the poet’s bright lyricism contends with the cackling paranoia of his annotator. It all culminates in a 300-item bibliography and an index of 900 entries, citing everyone from Heinrich Cornelius Agrippa to Zosimos of Panopolis.<\/p>\n

 <\/p>\n

\n

\u00a0<\/h3>\n

This Wasted Land<\/em><\/strong>\u00a0is a virtuosic display of language and historical context. It is a work that is unique and totally new while still honoring the lineage from which it comes.\u00a0This Wasted Land<\/strong>\u00a0<\/em>is a work about alchemy as a transformative agent and the allegorical journey to find the meaning of existence. It invokes James Joyce\u2019s (and Joseph Campbell\u2019s) monomyth, the hero\u2019s journey and the classic archetypes of ancient myth: Ulysses, Perseus, Heracles, Achilles, Odysseus, Orpheus. It is also about the pursuit of our shadow selves and the realization that we are the ones that we have been waiting for.”
\n\u2014Heavy Feather Review<\/em><\/a><\/strong><\/p>\n

\u00a0<\/p>\n

…\u00a0a veritable feast of narrative and images consisting of no less than four languages and daring to invoke everything from classical mythology to astrology to American popular culture. One second we wax poetic about Scientology, Velcro, and Diet Coke, and the next our \u201cEyes scan flowing brown water for signs \/ of Kraken or Charybdis,109<\/sup>bobbing of sludge . . .\u201d followed shortly thereafter by references to Goethe and Herodotus. This wonderfully dizzying conglomeration of subject matter combined with the grace of Vincenz\u2019s language comprises the very essence of a pharmaceutically induced recollection of a rainy day at the college library. Random strolls down the stacks, random books removed from the shelves and opened randomly, yet in the end the whole of the experience coalescing into a singularly beautiful and satisfying adventure …\u00a0<\/span>Be here now, listen closely and pay attention, and wallow in the beautiful whole of it.
\n<\/span>\u2014Red Paint Hill Poetry Journal<\/strong><\/a><\/em><\/p>\n

\u00a0<\/p>\n

This Wasted Land<\/strong>,<\/em>\u00a0bearing the subtitle\u00a0And Its Chymical Illuminations<\/strong>,\u00a0<\/em>is a rendered gestalt of high parody. It is where the sacred and profane coalesce in some bastardly amalgam, chymically turbocharged by the Holy Grail of the feminine mystique. The accomplished, albeit surly, annotator punctuates this book with erudite verses through the episodic traipse, teasingly lifting the veil on Love\u2019s Pursuit, requited or not, through a conjuring of many previously sojourned-in places. This collaboration between Vincenz the Poet and Bradley the Annotator is a \u201cvirtuosic feat\u201d, and a worthy parody of much academic pretension.
\n\u2014The Philadelphia Review of Books<\/em><\/a><\/strong><\/p>\n

\u00a0<\/p>\n

[Unlike Elliot’s\u00a0The Wasteland<\/strong><\/em>],\u00a0This Wasted Land<\/strong><\/em>\u00a0is flat out humorous; it uses critical apparatus in the vein of Nabokov or Flann O\u2019Brien; the footnotes, etc, are meant to \u2018take over\u2019 (or \u2018hijack\u2019) the work itself .The \u2018notes\u2019 to\u00a0This Wasted Land<\/em><\/strong>\u00a0are by one Tom Bradley. I Wikipedia\u2019d him and, as far as they are concerned, he exists, so I suppose I have to give him existence as well. Take your time reading\u00a0This Wasted Land<\/em><\/strong>\u00a0and marvel at Marc Vincenz\u2019s erudition, and let all of the author(s) conceits flow over you\u2014it adds up to an enjoyable trip.\u00a0
\n\u2014Urban Graffiti<\/em><\/strong><\/a><\/p>\n

\u00a0<\/p>\n

This is what Borges might have written if he were less conservative and a little more hip. And it sure shows its Pound and Bolano\u2014not to mention a host of language poets who seem tame by comparison.This Wasted Land<\/em><\/strong>\u00a0will frustrate some readers, madden some, and cause some to close the book and run for the hills\u2014this is definitely not your grandfather or grandmother\u2019s kind of book.\u00a0
\n\u2014Word Riot<\/a><\/em><\/strong><\/p>\n

\u00a0<\/p>\n

The Wasted Land: And Its Chymical Illuminations<\/em>\u00a0is reminiscent of the Marquis de Sade writing footnotes for Chaucer or T.S. Elliot; only nothing like it ever happened until now. Marc Vincenz and Tom Bradley have created a treasure in literature that deserves more than attention: give this book your time and some Alchemical secrets of love, smut and the sublime will favor you.
\n\u2014Jim Lopez,<\/strong>\u00a0Creator, & Editor of\u00a0ANTIQUE CHILDREN<\/em><\/strong>\u00a0and author of\u00a0Abstracts of an American Pageant<\/em><\/strong><\/p>\n

\u00a0<\/p>\n

In this and eight previous books, Marc Vincenz has published some of the richest and most complex poetry. It’s an understatement to say\u00a0This Wasted Land and its Chymical Illuminations<\/em>\u00a0<\/strong>rewards close reading. To aid us in our extensive liberal arts education, Tom Bradley has obliged us with 140 pages of endnotes, packed with an extensive bibliography and index. This is a book worthy of any bibliophile’s collection –to be read and reread, and handed down for generations.
\n\u2014Midwest Book Review<\/strong><\/em><\/p>\n

\u00a0<\/p>\n

Steins–Gertrude Stein, Albert Einstein, Frankenstein–show up in the bibliographic references to Marc Vincenz and Tom Bradley’s\u00a0This Wasted Land and Its Chymical Illuminations<\/em><\/strong>, but how to apply them exceeds the People’s Modernist’s (Gertrude Stein) strategies, the great relativity physicist’s (Albert Einstein) theorems, and the hulking monster’s (Mary Shelley’s Frankenstein) rages.\u00a0 Necessarily,\u00a0This Wasted Land<\/em><\/strong>, a complex erudite piece de resistance, goes beyond the crossroads of T. S. Eliot’s collaboration with Ezra Pound, but entrance to this Garden of Eden with all its permutations of sex and living is at your own risk.\u00a0
\n\u2014Karren LaLonde Alenier<\/strong>, author of\u00a0The Steiny Road to Operadom, The Making of American Operas<\/em><\/strong><\/p>\n

\u00a0<\/p>\n

Nothing like it. A transcendence. Completely novel. Will be remembered forever. And\u00a0that\u00a0is an understatement.\u00a0I didn’t think giants still walked the earth. I know about comedy, wit, multiple allusions… but I didn’t think anyone was still around who could do what Vincenz and Bradley did in\u00a0This Wasted Land<\/em><\/strong>… delight after delight…
\n\u2014Joe Green<\/strong>, author of\u00a0The Limerick Homer<\/em><\/strong><\/p>\n

\u00a0<\/p>\n

A palatial homage to Eliot; ludic cruise through Pound\u2019s errata. Ideally epic,\u00a0This Wasted Land<\/em><\/strong>\u00a0preens and pummels conceptual imagery into a sacred profane realization of feminine figure manifesting appearances in a spindle of eras. The letter leaves no wand unwaved, no veil unraised, no, the fearless love song curiously transfigures her extreme essences throughout time. This is transnational and transcontinental muse. A meditative investigation with rare sourcing, scat. Instead of the traditional, Vincenz rips it up with careening force, rhythmic gales unleashing the unexpected. Freely loosening rodents, pestilence, while he borrows the familiar beautiful, iconic then couples comfort with foul, casts off ashen and machinated debris, all the while experimenting his way through encoded episodic verse, gaining poetic perversity in annotated wanderlust, and topsy turvy embrace. This isn\u2019t the love song we thought we came for\u2014it\u2019s the chase. \u00a0Bradley\u2019s multilayered, alchemical annotations, anchor this book\u2014the poem, the notes, the expansive bibliography \u2013 deliver a rare multiverse of a read. Phenomenal, scintillating.
\n\u2014Allison Hedge Coke<\/strong>, Winner of the American Book Award and author of\u00a0Blood Run<\/em><\/strong><\/p>\n

\u00a0<\/p>\n

Marc Vincenz is a poet of liberal booziness, and he is imaginative and interested in what Frank O\u2019Hara calls \u2018the real meaning of\u00a0 fertility.\u2019 Vincenz is frequently telling us that the Scotsman has no kilt. For Eliot, the fragment is tragic, in need of redemption, in need of assemblage. For Vincenz the fragment is marvelous in its own moment. Reading This Wasted Land, I was reminded that a week before Allen Ginsberg read all of T.S. Eliot\u2019s poetry aloud to himself. He, too, like these alchemical gentlemen, arrived at imagination and humor as the ally of love.
\n\u2014David Blair,<\/strong>\u00a0author of\u00a0Ascension Days<\/em><\/strong><\/p>\n

\u00a0<\/p>\n

From \u2018the dimness of that Portobello antique shop\u2019 to \u2018purple-haired Cornish coach tourists\u2019, from \u2018laminated tabletops and the mountain ranges beyond Chengdu\u2019 to \u2018those gondalieri, wild ones with their coppery manes\u2019, Marc Vincenz conjures, with ostensible effortlessness, memories one is aghast to realize one scarcely knew were there, rather in the manner (however unlikely the comparison) of Somerset Maugham\u2019s\u00a0The Moon and Sixpenc<\/em>e<\/strong>. Playful but pensive incongruities\u2014a \u2018judicial right of crenellation\u2019, the flick of a stub to the floor, \u2018disgusted at the lack of ashtrays\u2019\u2014do that rare thing of poetry responsibly riddling the reader. Tom Bradley\u2019s copious and critical annotations give us the capricious erudition of a T. S. Eliot in March Hare guise, whilst delivering such mirthfulness as would befit Boccaccio. In Vincenz\u2019s own words, \u2018the mind reels, tied to a mast, the heart burns, roped up.\u2019
\n\u2014Umit Singh Dhuga<\/strong>,\u00a0The Battersea Review<\/em><\/strong><\/p>\n

\u00a0<\/p>\n

Count the allusions in\u00a0This Wasted Land And Its Chymical Illuminations<\/em><\/strong>. Multiply by a thousand or two. Think:\u00a0Ficciones<\/em>\u00a0\u00a0<\/strong>by way of \u00a0Marcel Benabou\u2019s\u00a0To Write on Tamara<\/em><\/strong>? A put on, yes, but a glorious one, and a two-fer: Marc Vincenz\u2019s five wildly connotative poems arrow-struck by promiscuous erudition, followed by Tom Bradley\u2019s brilliantly subversive annotations\u2014in sum, longer than the poems themselves. \u00a0Not to mention, Siegfried Tolliot\u2019s equally hilarious in-character Afterward. So make that a three-fer.
\n\u2014Daniel Lawless<\/strong>,\u00a0Plume<\/em><\/strong><\/p>\n

\u00a0<\/p>\n

Marc Vincenz is a genuine poet, not something you can say of very many poets these days. He belongs to the generation that is in ascendancy, as the older generations are fading in interest and influence, and it would be foolish not to be aware of his work.
\n\u2014Ben Mazer<\/strong><\/p>\n

\u00a0<\/p>\n

Vincenz\u2019s poetry evokes worlds of detail anchored through figures of power and perpetual demise who are most humble and common, wise and dangerous\u2014and capable of a Dostoevskian consciousness and suffering.
\n\u2014George J. Farrah<\/strong>, author of\u00a0The Low Pouring Stars<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Marc Vincenz
\nAnnotated by\u00a0Tom Bradley
\n9781935084723
\nPhenomenal, scintillating…\u2014Allison Hedge Coke<\/p>\n","protected":false},"featured_media":161,"comment_status":"open","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"product_brand":[],"product_cat":[16],"product_tag":[86,18,87],"class_list":{"0":"post-160","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-lavender-ink","7":"product_tag-marc-vincenz","8":"product_tag-poetry","9":"product_tag-tom-bradley","11":"first","12":"instock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple","17":"berocket_lgv_grid","18":"berocket_lgv_list_grid"},"yoast_head":"\nThis Wasted Land and Its Chymical Illuminations - Lavender Ink \/ Di\u00e1logos<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lavenderink.org\/site\/shop\/this-wasted-land-and-its-chymical-illuminations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This Wasted Land and Its Chymical Illuminations - 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