{"id":1798,"date":"2018-10-28T10:00:38","date_gmt":"2018-10-28T15:00:38","guid":{"rendered":"https:\/\/www.lavenderink.org\/site\/?post_type=product&#038;p=1798"},"modified":"2020-01-15T07:47:45","modified_gmt":"2020-01-15T13:47:45","slug":"kenosis","status":"publish","type":"product","link":"https:\/\/www.lavenderink.org\/site\/shop\/kenosis\/","title":{"rendered":"Trilogy: Kenosis"},"content":{"rendered":"<h2>Trilogy: Kenosis<\/h2>\n<h3><a href=\"https:\/\/www.lavenderink.org\/site\/books\/jake-berry\">Jake Berry<\/a><\/h3>\n<p>ISBN:\u00a0978-1-944884-55-0<span class=\"Apple-converted-space\">\u00a0<\/span>(paper)<br \/>\n58 Pages \u2022 December 1, 2018 (pre-order pricing until launch)<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>An American rural William Blake, with a bit of Neil Gaiman and Bob Dylan thrown in for good measure: over many years, from his home in Florence, Alabama, Jake Berry undoubtedly has become one of America\u2019s finest, most unusual, and least recognized poet-playwright-artists.\u00a0 His latest book, <i>Trilogy: Kenosis<\/i>, may be his finest yet.\u00a0 \u201ccharged \/ resonant\u201d \u2026 \u201cpolyphonic\/ a cradle\/ made of voices.\u201d\u00a0 \u201cit begins\/ in a wound\u201d \u2013 of sudden, terrible beauty.\u00a0 A book of dream, VISION, myth, fable, an archaeology of our deepest stories.\u00a0 \u201cthe torture\/ the sheer hell\/ of coming awake.\u201d\u00a0 <i>Trilogy: Kenosis<\/i> is Jake\u2019s own painful visionary and perhaps redemptive experience of this incarnation.<br \/>\n<strong>\u2014Hank Lazer<\/strong>, author of <i><a href=\"thinking-in-jewish-n20\">Thinking in Jewish (N20)<\/a>, The New Spirit, <\/i>&amp; <i>Evidence of Being Here: Beginning in Havana (N27)<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>Jake Berry is hands-down one of the finest poets writing today. He has an ear for interior sound like few others, and an unshakable faith in poetry as a portal to the luminous. \u00a0I have never been anything but inspired when I read him. \u00a0There is fire and ice in his words and great devotion.<br \/>\n<strong>\u2014Neeli Cherkovski<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>How does one bridge the relationship between the divine as one perceives it and one\u2019s suffering, desiring, joyful self\u2014oneself in the world? How does rid oneself of the realm of Ego? In Christian theology, kenosis is the concept of the self-emptying of one\u2019s own will and becoming entirely receptive to God and the divine will.\u00a0 Saint John of the Cross\u2019 classic work, <em>The Dark Night of the Soul<\/em> is an attempt to depict such a process. Kenosis is also the message of the ecstatic concluding lines of Dante\u2019s Divina Commedia:<em> E\u2019n la sua voluntade e nostra pace<\/em>, \u201cIn his will is our peace.\u201d<br \/>\nHow does an American, a Southern multitalented poet located in the music-saturated region of Florence, Alabama do it? \u201cIf we have been in that house,\u201d writes Jake Berry in the opening passage to this work,<\/p>\n<blockquote>\n<p>it is no longer a house<br \/>\nbut a field<\/p>\n<p>charged<br \/>\nresonant<\/p>\n<p>mound<br \/>\n&amp; stone<\/p>\n<p>after Beth-el<br \/>\na dream like lightning<\/p>\n<p>unkempt in all his ways<\/p>\n<p>These are the vestments<br \/>\nTriune<br \/>\nPolyphonic<\/p>\n<p>a cradle<br \/>\nmade of voices<br \/>\na cradle<br \/>\nbefore the interruption<br \/>\n(before the incision)<br \/>\nof glass<\/p>\n<\/blockquote>\n<p>There is nothing in that passage that is not exact\u2014what the French call<em> le mot juste<\/em>. If the passage is nonetheless puzzling and enigmatic it is because it is constantly struggling to get beyond its perfectly conventional syntax into a realm of mystery, to force the words beyond syntax until they arrive at \u201ca cradle \/ made of voices.\u201d Here, syntax is selfhood, and language is a pure reaching beyond, \u201cbefore the interruption \/ (before the incision),\u201d into a deliberately other realm. Is this a Christian work invoking a Tri-partite God? I can\u2019t tell you, but I can say this: Trilogy: Kenosis is a stretching of language into a realm we both can and cannot comprehend. It is not \u201cone thing.\u201d That the passage is beautiful, even breathtaking, goes almost without saying: all you have to do is speak it aloud. Yet its beauty is a function of its essential yearning. It is precisely an emptying out, kenosis. I can\u2019t think of anyone else who is doing such work or who is capable of taking such risks: this is a poet who recognizes deep sorrow but who adds, in ecstasy (etymologically \u201cstanding outside oneself\u201d), \u201cour sorrow \/ cannot prevent spring arriving.\u201d<br \/>\n<strong>\u2014Jack Foley<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Aphorisms of silence: Jake Berry&#8217;s recent book Trilogy:Kenosis (emptying) explores the world of the unspoken in a spare and lyrical eloquence that separates silence from space. Haunting dislocations of the body from the soul, a wandering in the epic sense though a broken post-modern language. Even in the complex longer poems emptiness sounds like a death knell, informed by an archaic mystical sense and yearning, qualities rare in contemporary poetry\u00a0<\/p>\n<p>of number there is only\u00a0<br \/>\na chasm<br \/>\nof every form\u00a0<br \/>\nemptying<\/p>\n<p><strong>\u2014Ivan Arg\u00fcelles<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>In TRILOGY: KENOSIS Jake Berry empties the Greek psyche of Latin animus to find in the Gothic dark endless images for the soul. Then those images empties of light. Then voids the light, leaving only the poem, the drowned voice shining impossibly through entropy\u2019s curse. The word surgeon performs in this operating theater the miracle of nothing. And Jesus, blood dripping from his lips, turns to Arjuna and quotes the last stanzas with, at last, the question to the answer. This blurb is just words. TRILOGY: KENOSIS is something beyond the soul of mineral, the animus of vegetable, the psyche of animal. To read these poems is to drift beyond any and all tongue noise. These poems you feel feel you.<br \/>\n<strong>\u2014Willie Smith<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Death and rebirth are recurring themes.\u00a0 Like all good poetry, the reader\u2019s mind is allowed to wonder, grasping those stones that fall within our reach.\u00a0 As I have so often said, there is genius here, palpable and true. \u00a0It stirs the mind, the soul, the heart and takes us where we desire and where we fear simultaneously.\u00a0<br \/>\nThe words he rolls across my pages challenge me and push me down and force me to fight back.\u00a0 Who am I if I cannot fight back?\u00a0<br \/>\nThen comes the gem: \u00a0<\/p>\n<blockquote>\n<p>Memory is more<br \/>\nthan what we remember and imagine \u2013<br \/>\nIt is the past made sacred<\/p>\n<\/blockquote>\n<p>A truth so deeply profound it pulls us in and stirs our humanity.\u00a0 We are what we consume and what we read is food for the soul.\u00a0<br \/>\nThere is no questioning the religious nature of this work.\u00a0 It is a bearing of the soul and a sort of confession.\u00a0 We cannot be surprised that our hero has found religion in the autumn of his journey.\u00a0 He too needs the comfort of his love in the lonely hours of night.\u00a0 But his is no comfortable acceptance of the lord thy god.\u00a0 His is a struggle and a challenge to the orthodox light.\u00a0 His is a poet\u2019s religion.\u00a0 His heaven is empty yet it is a place that welcomes all thinking sentient beings.\u00a0<br \/>\nOnce again Jake Berry has taken me to a place I would not go.\u00a0 Not on my own.\u00a0 Not at this time in my life.\u00a0 But it is a place I need to go.\u00a0 It is a place that gives life meaning even as it eviscerates all understanding.\u00a0 I understand.\u00a0<\/p>\n<blockquote>\n<p>Oblivion is not the opposite of memory.<br \/>\nIt is its companion and completion.\u00a0<\/p>\n<\/blockquote>\n<p>I understand.\u00a0 There is warmth and hope in this lonely place.\u00a0 And we are not alone.\u00a0 We are guided by the poet just as Dante once was.\u00a0<br \/>\nLike Dante, Jake Berry is a master of words and thought and prayer.\u00a0 In Trilogy: Kenosis he has given us a work that demands to be read again and again, even to our dying day.\u00a0<br \/>\n<strong>\u2014Jack Random,<\/strong> Author of <em>Hard Times: The Wrath of an Angry God<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Jake Berry\u2019s poetry defies attempts to categorise it; such is its encompassing reach into a myriad of poetic styles and forms, which it deconstructs and reassembles in ways that are novel and pleasing.<br \/>\nThe poems in this collection continue this standard, and express themselves in an assortment of registers, poetic modes and textual arrangements; and comprise elements that are: dreamlike, elliptical, philosophical, theological, koan-like and mythical\u2014along with a measured use of classical and scientific allusion, and textual and numerical \u201csamplings\u201d.<br \/>\nBut perhaps most importantly, the poems never stray from the one essential element poetry needs to have if it is to appeal to more than solely the intellect\u2014musicality.<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span><strong>\u2014Jeffrey Side<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>\u201cYou must enter the house \/ without entering it.\u201d Jake Berry discovers while inventing miracles in each noticed silence. This brilliantly spiritual poetry changes the listener. The poet tells us \u201cAristotle uses the word \u2018psyche\u2019 for both soul and butterfly.\u201d Then, \u201cHeaven is empty. Everything depends upon it.\u201d We share Berry\u2019s recognition that \u201cThe pilgrimages have taken their toll.\u201d In such common ground, the shared body draws from his wisdom. We go forward. \u201cThe stove needs tending \/ a few branches and dry grass.\u201d Always work to do the simple and the spiritual, until<\/p>\n<p>The phonograph winds down<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span>The room is stripped bare<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span>and we are alone, naked,<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span>embracing against the cold<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span>waiting<span class=\"Apple-converted-space\">\u00a0<br \/>\n<\/span>for the moon to break the last day open<br \/>\n<strong>\u2014Sheila E. Murphy<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/eratiopostmodernpoetry.com\/issue27_StThomasino-Berry.html\" target=\"_blank\" rel=\"noopener\">Review by Gregory Vincent St. Thomasino at E-ratio.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><a href=\"https:\/\/www.lavenderink.org\/site\/books\/jake-berry\">Jake Berry<\/a><br \/>\n9781944884550<br \/>\n&#8220;&#8230;one of the finest poets writing today.&#8221;\u00a0\u2014Neeli Cherkovski<\/p>\n","protected":false},"featured_media":1799,"comment_status":"open","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"product_brand":[],"product_cat":[236,16],"product_tag":[20,18],"class_list":{"0":"post-1798","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-books","7":"product_cat-lavender-ink","8":"product_tag-jake-berry","9":"product_tag-poetry","11":"first","12":"instock","13":"taxable","14":"shipping-taxable","15":"purchasable","16":"product-type-simple","17":"berocket_lgv_grid","18":"berocket_lgv_list_grid"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - 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